ThrillerTalk: February 2008 Archives
Like many fiction writers, when I began trying to write a novel in the mid 1990s, I had no clear notion of genre, much less something called the thriller genre. Of course I did have a clear notion that THE HUNT FOR RED OCTOBER, which I liked, was quite different from THE CATCHER IN THE RYE, which contained a certain genius that even I could discern but, frankly, nevertheless bored me.We tend to write the kinds of book we enjoy reading, seeking certain familiar touchstones or landmarks, while investing the story with quirks of place, character, or plot that make the work uniquely our own. What I wrote early on was an odd misfit of a manuscript, about which bewildered publishing house editors could say only the dreaded, "We hope you find a home for it." There were of course mutterings that they couldn't figure out how to place it even if they could bring themselves to like it.
In a famous essay, Henry James once wrote, "The house of fiction has many windows." The same applies to thrillers. There are many types: the legal thriller, the spy thriller, the action-adventure thriller, the medical thriller, etc. One of their common denominators is that they quicken the reader's heartbeat.The following is a list of those we believe made a difference, compiled with the advice of several thriller reviewers. Books were chosen based on the impact that each had on the genre. Did the author contribute a new subject, direction, and/or technique that had a lasting effect? Did a work make such a impression that it has been frequently imitated? There will no doubt be objections about what was included and what wasn't. For that reason, please consider this a work in progress.
The list has a serious purpose. In "Tradition and the Individual Talent," T.S. Eliot insisted that every writer has an obligation to study the literary tradition in which that writer works. Eliot believed we have a responsibility to absorb and carry it forward, trying to add something of our own. Too often we pay attention only to current trends and lose the guidance that literary history can provide. Still, if we study our antecedents, we can strengthen our technical skills while using old concepts to go in new directions. At the least, we gain enough sophistication to know when we're innovating rather than performing the literary equivalent of reinventing the wheel.
ThrillerFest
ITW's annual celebration of the thriller world is the largest event of its kind, a meeting place for authors, readers, budding writers, and publishing industry professionals.
For 2009, we're in the heart of New York in July, with two special add-on events, CraftFest and AgentFest, where authors of all levels can meet the professionals.
ThrillerFest 2009 will be held at the Grand Hyatt Hotel in New York City. There are limited rooms available at our 2009 conference rate. As soon as you register, please make your hotel reservation--don't wait! Once our block of rooms is filled, there will be no space available at the conference rate. You must be registered for the conference before making a hotel reservation. Please call the Hyatt at 1-800-233-1234 for reservations.
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