The Craft: December 2007
As a debut author, your first relationship with an agent can be like a courtship. The first blush of an offer to represent is followed by the unforgettable satiation of that first deal. You light up a cigarette and revel that nothing will ever be the same again, but in the afterglow, some authors may wonder:
- Did I make the right choice?
- What do I know about them…really?
- Was I sober when I agreed to this?
That first deal can be a heady experience. In the throes of a first-time negotiation, some authors may throw caution aside and grab that first warm bodied agent who comes along. And others may struggle with which agent is THE BEST. I think there is no "best" agent. It's what is right for you—at the time. And one agent might work well for one author, but not so much for another—for many reasons.
As a debut author, your first relationship with an agent can be like a courtship. The first blush of an offer to represent is followed by the unforgettable satiation of that first deal. You light up a cigarette and revel that nothing will ever be the same again, but in the afterglow, some authors may wonder:
- Did I make the right choice?
- What do I know about them…really?
- Was I sober when I agreed to this?
That first deal can be a heady experience. In the throes of a first-time negotiation, some authors may throw caution aside and grab that first warm bodied agent who comes along. And others may struggle with which agent is THE BEST. I think there is no "best" agent. It's what is right for you—at the time. And one agent might work well for one author, but not so much for another—for many reasons.
