Sudden Death by Allison Brennan
Allison's readership is wide reaching. Over four million books have been printed in eight languages and many have their own UK editions. If you laid them end to end, they'd form a continuous line from Los Angeles to San Francisco! Her latest thriller, SUDDEN DEATH, promises to the deliver the goods again. It's the first in a Sacramento FBI trilogy. Here's a snapshot:
When a homeless veteran is found dead in a squalid Sacramento alley, FBI special agent Megan Elliott vows to find the murdered hero's killer. Her investigation gets complicated fast, for the victim, a former Delta Force soldier, is just one link in a nationwide spree of torture and murder.
Straight off a job rescuing medical missionaries, soldier-for-hire Jack Kincaid returns to his home base in the Texas border town of Hidalgo only to receive the news that one of his closest colleagues has been brutally murdered. Faced with an inept local police force, Jack takes matters into his own hands.
Now, as part of a national task force to stop the sadistic killings, "by-the-book" Megan and "burn-the-book" Jack form a tense alliance, sparked with conflict and temptation. But they struggle against more than passion, for a vicious pair of killers has only just begun a rampage of evil . . . and the primary target is much closer than Megan suspects.
I like this book's premise. A lot. It's my kind of novel. I asked Allison about the villains in her stories. "The villain is certainly one of the major drivers of all my stories for several reasons. First, without the villain the chances that the hero and heroine would be at the same place at the same time working together would be next to nil, so the villain is essentially a catalyst for the romance part of my romantic thrillers."
"Caricature villains are no fun to write or read, so by giving the villain more time on the page you also give the reader more depth into his true goal and his backstory."That really rings true for me. I stop reading books when the villain is cardboard. Allison's bad guys -- even though they commit horrible acts -- are as interesting as her good guys. Her books explore the concept of good versus evil. What is evil? What is its goal? And far are the good guys willing to go to defeat it?
Not only are her characters deep, Allison is a master at scene and setting. In a Murderati interview, Allison touched on it: "I don't like to over-describe anything. In fact, I usually layer in description after I write the book. Like--during editor revisions. I research most everything on the fly."
I appreciate an author who doesn't do my thinking for me. Allison gives her readers a perfect balance. If something in a scene or setting is important to the story, it gets more page space, but we're never bogged down with meaningless detail just to fill page space. It's refreshing.
Allison's success as a romantic suspense author didn't happen overnight. Her love of books roots back to her childhood. "I've always loved books. I love the way they look on the shelf; I love the way they smell; I love browsing bookstores, admiring covers, reading blurbs, and discovering new authors. My love of reading came at a young age when my mom let me get my first library card as soon as I could print my full name. I was four. That card changed my life."
"We weren't wealthy growing up, so owning books was a special treat reserved for birthday and Christmas presents. My mom went to the library every week and borrowed at least seven books; she read an average of one a day--while working full-time and raising me."
Allison soon discovered Stephen King and loved THE STAND so much she wrote to him, telling him she wanted to be a writer too. King responded by sending her a postcard that said: "If you want to be a writer, write." Classic Stephen King. Direct and to the point. Allison highly recommends King's book, ON WRITING, which she's both listened to and read twice. Like Allison, Stephen King is huge proponent of audio books. I am too.
It's been a tough economy lately. I asked Allison how she felt about hardcover versus mass-market paperback.
"Honestly, I had always wanted to come out in hardcover because those are the books that get the attention by the industry and subconsciously carry more clout. In fact, until I was published as a paperback original author, my mother even thought that hardcover meant better quality. She didn't know that half the books she'd bought through her book clubs were PBOs. Mass markets are seen by many as inferior, formulaic and pulpy. I think that is changing, but there will always be some who think that hardcover is better just because of the format, when in reality it's about marketing."
"I'm very happy to be a mass market author, especially in this economy. Mass markets are convenient and affordable. And as I've learned over the last few years, being a debut hardcover author has its own challenges. The grass is always greener, right? I'm thrilled to be published; format is really up to the publisher who wants to make as much money on the book as possible. The better the book does, the better for everyone involved--publisher, agent and author."
Part of my job as a contributing editor is to ask difficult questions. I wanted to know what Allison found the most unsettling about the publishing industry as a whole.
"Waiting. Nothing seems to happen fast in publishing, and that builds angst, at least for me. For example, I sold my first book in March of 2004 . . . it didn't hit the shelves until January 2006. We wait for answers to all questions, wait for the next contract, wait for the next release, and all the time writing, writing, writing without knowing if what you're writing is any good."
"What also has proved unsettling is that so much in publishing is driven by early sales. A book can be terrific, but unless it has been packaged right with a great cover and placement it can tank. Word of mouth is still the most effective advertising, but it's almost impossible to know what generates word of mouth for some books and not others. It's kind of crazy. And I think everyone involved thinks it's kind of crazy, too."
I think the vast majority of authors agree. The expression, will you hurry up and wait, is completely accurate to publishing. It takes a certain type of personality to "brave the storm" and Allison's in that elite group. She's not only a talented writer and a class act, but terrific person as well. I'm privileged to be featuring her this month.
SUDDEN DEATH hits the shelves on March 24th, followed by FATAL SECRETS, May 19th and CUTTING EDGE on July 28th. Each book in this new Sacramento FBI trilogy will have it's own UK edition. All three are available for pre-order on Amazon, Barnes & Noble, and other online retailers.
Allison Brennan worked as a consultant in the California State Legislature for thirteen years before leaving to devote herself fully to her family and writing. She is a member of Romance Writers of America, Mystery Writers of America, and International Thriller Writers. In her free time, she enjoys wine tasting, playing video and board games with her kids, and Sacramento Kings basketball. She lives in Northern California with her husband Dan, their five children, and a cat.
Contributing editor Andrew Peterson
is working on the next novel in a planned series featuring Nathan
McBride, a former Marine sniper. FIRST TO KILL is a finalist for the
Romantic Times Reviewer's Choice Awards for Best First Mystery. Andrew
enjoys flying helicopters, scuba diving, long range target shooting,
and a very sad round of golf. He also works as a volunteer
firefighter. Andrew and his wife Carla, live just north of Paso
Robles, California. More information about First to Kill by Andrew Peterson, can be found at AndrewPeterson.com

