Award winning Larry Beinhart discusses Salvation Boulevard
Those who have read Larry Beinhart's novels are unsurprised to discover his extreme erudition and the deep thought and care he applies to all of his work. Take, for example, 1993's American Hero, the book that would become the film Wag the Dog. The film - and the book - resonated with so many readers and viewers because we recognized the reality of the ridiculous situation Beinhart created in his story. In his own words, "war as a performance for home viewership." What could be more silly, right? Yet, as told by this author, what ever felt more chillingly real?To hear him tell it, Beinhart's newest novel, out this month from Nation Books, takes an entirely different path to get us to the same place of incredulous recognition. In Salvation Boulevard, says Beinhart "the corpse is an atheist professor, the accused is an Islamic foreign student, the defense attorney is a Jewish lawyer, the investigator is a born-again Christian. The Mystery is God."
In a starred review, Publisher's Weekly seemed to find it impossible to resist the temptation of comparing Beinhart's best known novel with what may well come to be thought of as his most important. PW said Salvation Boulevard is "less jaunty," than Wag the Dog, "but definitely more ambitious," at the same time calling the new book a "splendid religious legal thriller." The screen rights to the film have already been acquired. George Ratliff (Hell House, Joshua) will write the script and direct while Mandalay Independent Pictures will finance, produce and develop.
Beinhart feels that Salvation Boulevard is a "more distinctly fictional" book than others he's done in the past. "I would guess the reason is that there is no public place where the drama of what faith really is has been played out. We have plenty of people acting on faith. Plenty of people moving in and out of it and some opposing it, but nowhere where the investigation of what it really is has been played out."In Salvation Boulevard, then, the author corrects this cosmic oversight. If you ask, for instance, why Beinhart wrote this book at this time, you can expect to get an earful. There is no easy answer, it would seem, but it's all deeply interesting.
"Religion has returned as the number one excuse for violence and war," the author says. "The 21st Century has started out as a bad acid flashback of the 12th. We should be asking why. People who believe speak out in defense of faith, how good, how wonderful it is. The New Atheists look at their truth claims and find them ridiculous, look at their actions and find them hideous, and can't figure out why anyone would believe or even accept belief in others. It would seem, on the face of it, that figuring out why people believe would be our number one academic industry and our number one national security priority, but there is no meaningful dialogue about it. That's why I wrote the book and even though it's a thriller and a murder mystery and a detective story with chases and shoot outs and some sexy stuff, that's what it's really about."
Beinhart has written six previous novels, as well as three with his wife, Gillian Farrell. He is also the author of two highly acclaimed works of non-fiction: Fog Facts: Searching for Truth in the Land of Spin (Nation Books, 2005) and How to Write A Mystery (Ballantine, 1996). He has been awarded the Edgar, the Gold Dagger, the Grand Prix de Literature Policier, New York Times notable book of the year, and was a Raymond Chandler/Fulbright Fellow. He lives in Woodstock, New York with Farrell and their children.
Contributing editor Linda L. Richards
is also the editor of January Magazine and a contributor to The Rap Sheet.
Her fifth novel, DEATH WAS IN THE PICTURE, will be published St.
Martin's Minotaur/Thomas Dunne January 2009.

